Upcoming Events at
Pig Floyd - America's #1 Pink Floyd Tribute Show
at The Ranch Concert Hall & Saloon
“An unbelievable show put on by amazing musicians.” -Brooks Paxton, Shark Brothers Multimedia
Oct 18, 2019 | 7:00 PM | Friday
Mitchell Tenpenny is an industry insider/outlier. Someone who has a local’s appreciation for the origins of Nashville and keen focus on what happens outside of Music City.
Doors Open at 7:00 PM
Showtime approx: 9:00 PM
Presented by Gator Country 101.9
$20.00 in Advance
$25.00 at the Door
18 and Up show -
Additional $5.00 at the Door for under 21
Online tickets at www.TheRanchFortMyers.com
No other online affiliates
The rugged individualist operates with complete confidence and comfort in the space between contradictory themes. He is a creative thinker with a keen business sense. He is fiercely competitive, but is equally vocal proponent for his industry colleagues. He finds inspiration in music as diverse as Michael Jackson and the Oak Ridge Boys.
And none of that seems the least bit unusual or out of whack to the Nashville native with an industry pedigree (his grandmother was industry legend Donna Hilley who shaped the musical landscape of country music as CEO of Sony/ATV Music Publishing). He lives his life and his budding musical career on both ends of the spectrum.
It’s authentic thanks in large part to Tenpenny’s fearless skill as a songwriter, which includes a Top 5 hit for Granger Smith, “If the Boot Fits,” and time spent opening for a variety of influential artists including Smith, Jake Owen, Brett Young, Lynyrd Skynyrd, Dustin Lynch, Gary Allan, Jon Langston, and others.
Multiplicity is also reflected in his sound. Tenpenny’s diverse musical taste and soulful vocal delivery were developed after years of singing harmonies in church and later honed pounding drums and scolding the mic as the “lead screamer” in angsty high-school, hard-core rock bands.
His musical trajectory solidified when he made his momma cry.
“I played my first country song and my momma started crying and I thought, ‘OK, this is what I need to do,’” he said. “It was a song called ‘Be My Baby’ and it was terrible, but it had a melody, and a story, and I wasn’t screaming. To see that emotion from her was awesome.”
It was a turning point. He said, “I started writing stories from where I come from rather than where I thought I wanted to be.”
Where he comes from was fertile ground with musical influences as disparate as Jackson, John Mayer, the Oaks, and R. Kelly. The resulting